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It’s only taken Odesza 18 months to achieve the kind of stature that takes most musicians years.

Clayton Knight and Harrison Mills started playing together in spring 2012, the end of their senior years at Western Washington University. Each had been making electronic music independently, but they immediately meshed. Their individual styles — futuristic sample-based beats for Mills and gauzy, bass-centric dance music for Knight — formed the basis of Odesza’s sound.